Book Style + Review: Harry Potter and the Cursed Child

Harry Potter And The Cursed Child
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Harry Potter and the Cursed Child by Jack Thorne and John Tiffany, inspired by an original story by J. K. Rowling is the subject of today's Book Style. I'm going to talk about the book below in more detail, since it's a bit spoiler heavy, so let's jump right into the Book Style.

A pair of black Harry's jeans and a vibrant "Ginny" tank form the base. On top I've added a "Stockholm Syndrome" cardigan for an extra witchy vibe and because I have some feels about how Delphi was raised. A pair of magical "Scorpius" sneakers and a "Magic Touch" hat will keep the tip and the toes covered. For jewelry I added a "Rubber & Magic" ring, a serpent arm band, an Augurey-inspired feather necklace, and a pair of skull earrings. For accessories I chose a "Witch Craft" clutch, a black magic phone case, and a pair of "B'witched" sunglasses to hide that evil gleam in your eyes. The final touch is a bit of sparkly "Dirty Baby" nail lacquer.

Okay, onto my thoughts about Harry Potter and the Cursed Child. Careful, SPOILERS ahead!

I won't be the first person to proclaim that Harry Potter and the Cursed Child gave me a lot of mixed feelings. Unlike some people, I'm okay with the story continuing. I'm even okay with the play as a whole - even if I wish it wasn't ONLY a play. Losing Jo's voice, as integral to the world of Harry Potter as the Boy Who Lived, himself, is a bit of a blow to the emotional depth of the story. And reading a play always means experiencing less character insight than a novel allows. We are suddenly stripped of the inner monologues, the nuanced emotions, the narrative point of view. If I saw Harry Potter and the Cursed Child live in London, I believe that I wouldn't be mourning this lack of intimacy. I like to think I'm blessed with a fairly creative imagination and Jack Thorne's stage direction allowed me to get a sense of what being in the theater would actually be like, but reading it on paper is cold. I would recommend really looking at the cast and performance photos ahead of time to help envision the characters better. I will admit that picturing them as the overdone "aged" versions from the final film never worked well for me. With the lack of physical descriptions in the script, I found it easier to see them that way.

What I do love about the direction that Jo guided Thorne and John Tiffany in is that the play addresses a few of the qualms I had with her original ending. They are able to add a bit more depth to Dumbledore and Snape by acknowledging that while admirable in their sacrifices, they were deeply flawed humans. I'm still not sure how I feel about Voldemort and Bellatrix getting it on. I know Bellatrix would've been all about it, but Voldemort always struck me as being incredibly asexual. I can't picture him getting off on anything but power and cruelty. Maybe the were into BDSM. Or maybe they used some sort of magical in vitro to produce an heir of the Heir of Slytherin. So, that's weird. I hate that Delphi misses out on an opportunity at being a more three dimensional character by being introduced in a play and losing out on us seeing her better. Not thrilled that there's an air of being desperate for daddy's approval, either. I feel like making her evil in her own right would have been a better move. Voldemort's heir would surely want power for herself in her father's absence, not to bring him back to power. Maybe if they'd elaborated on her background more and her upbringing and how much indoctrination she had actually been subjected to. Ah, if wishes were horses... All in all, I am glad I read it and I enjoyed dipping my toes back into the magical world of Harry, Ron and Hermione.

If you're on the fence about this one, I would recommend it with a couple of caveats: Remember it's a play. Remember that it isn't a story about Harry, it's a story about Albus and Scorpius.

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